“Dostoevsky not only preached, but, to a certain degree also demonstrated in his own activity this reunification of concerns common to humanity–at least of the highest among these concerns–in one Christian idea. Being a religious person, he was at the same time a free thinker and a powerful artist. These three aspects, these three higher concerns were not differentiated in him and did not exclude one another, but entered indivisibly into all his activity. In his convictions he never separated truth from good and beauty; in his artistic creativity he never placed beauty apart from the good and the true. And he was right, because these three live only in their unity. The good, taken separately from truth and beauty, is only an indistinct feeling, a powerless upwelling; truth taken abstractly is an empty word; and beauty without truth and the good is an idol. For Dostoevsky, these were three inseparable forms of one absolute Idea. The infinity of the human soul–having been revealed in Christ and capable of fitting into itself all the boundlessness of divinity–is at one and the same time both the greatest good, the highest truth, and the most perfect beauty. Truth is good, perceived by the human mind; beauty is the same good and the same truth, corporeally embodied in solid living form. And its full embodiment–the end, the goal, and the perfection–already exists in everything, and this is why Dostoevsky said that beauty will save the world” (Vladimir Soloviev, The Heart of Reality, trans V. Wozniuk, p. 16).
“The major character is a representative of the view that any powerful man is a master to himself, and everything is permitted to him. In the name of his personal superiority, in the name of the fact that he is a force, he deems that he has the right to commit murder, and he actually does so. but suddenly a matter that he considered only a violation of a meaningless law and a daring challenge to social prejudice turns out to be for his personal conscience somehow much greater–a sin, a violation of intrinsic moral truth. A violation of the external law receives legitimate retribution outwardly in exile and hard labor; but the inner sin of pride, of self-deification, separating a powerful man from humanity and leading him to murder, can be atoned only be an inward moral act of self-abnegation. Boundless self-assurance must vanish before a faith in that which is greater than self; and self-made justification must become humble before God’s supreme truth, living in those very simple and weak people upon whom the powerful man gaze as upon worthless insects” (Soloviev, The Heart of Reality, Trans V. Wozniuk, p. 10).
From the very beginning, Soloviev wanted to complete his theosophy with a universal aesthetics. He prefaced his essay on natural aesthetics with Dostoyevsky’s dictum that “beauty will save the world.” The Critique of Abstract Principles had proclaimed that ‘the realization of pan-unity in its external actuality is absolute beauty’, so it is as little something ‘given’ as is ‘pan-unity’ itself; it is a task assigned to humanity, and human art is a vehicle of its realisation. Soloviev promises to develop, at the end of his work, ‘the common axioms and rules of this great and mysterious art that brings all beings in the form of beauty’. According to another declaration, the sphere of aesthetic realisation should be divided into three areas: the material (technology), the formal (the ‘fine arts’) and the absolute (mysticism). For Soloviev, however, mysticism is not only passive devotion to the divine or direct contact with it; it also is the active art of bringing the divine from Heaven to earth, and, in this sense, ‘theurgy’—it is concerned, that is, with the realisations of the ideal: this is why Soloviev becomes a bitter opponent of classical idealist aesthetics, according to which beauty is allowed to be ‘only’ appearance, not reality, only an illusory reflection, not even a true promise or foretaste. ‘An infinity that existed solely for an instant would be an unbearable contradiction for the spirit; a bliss existing only in the past would be a torture for the will.’ Continue reading “Von Balthasar on Soloviev: The meaning of Dostoevsky’s “beauty will save the world””
“HIPPOLYTE, who had fallen asleep during Lebedeff’s discourse, now suddenly woke up, just as though someone had jogged him in the side. He shuddered, raised himself on his arm, gazed around, and grew very pale. A look almost of terror crossed his face as he recollected.
“What! are they all off? Is it all over? Is the sun up?” He trembled, and caught at the prince’s hand. “What time is it? Tell me, quick, for goodness’ sake! How long have I slept?” he added, almost in despair, just as though he had overslept something upon which his whole fate depended.
“You have slept seven or perhaps eight minutes,” said Evgenie Pavlovitch.
Hippolyte gazed eagerly at the latter, and mused for a few moments.
“Oh, is that all?” he said at last. “Then I–“
He drew a long, deep breath of relief, as it seemed. He realized that all was not over as yet, that the sun had not risen, and that the guests had merely gone to supper. He smiled, and two hectic spots appeared on his cheeks.
“So you counted the minutes while I slept, did you, Evgenie Pavlovitch?” he said, ironically. “You have not taken your eyes off me all the evening–I have noticed that much, you see! Ah, Rogojin! I’ve just been dreaming about him, prince,” he added, frowning. “Yes, by the by,” starting up, “where’s the orator? Where’s Lebedeff? Has he finished? What did he talk about? Is it true, prince, that you once declared that ‘beauty would save the world’? Great Heaven! The prince says that beauty saves the world! And I declare that he only has such playful ideas because he’s in love! Gentlemen, the prince is in love. I guessed it the moment he came in. Don’t blush, prince; you make me sorry for you. What beauty saves the world? Colia told me that you are a zealous Christian; is it so? Colia says you call yourself a Christian.”
The prince regarded him attentively, but said nothing. Continue reading “Dostoevsky — “Beauty would save the world””
FIDES ET RATIO
OF THE SUPREME PONTIFF
JOHN PAUL II
TO THE BISHOPS
OF THE CATHOLIC CHURCH
ON THE RELATIONSHIP
BETWEEN FAITH AND REASON
My Venerable Brother Bishops,
Health and the Apostolic Blessing!
Faith and reason are like two wings on which the human spirit rises to the contemplation of truth; and God has placed in the human heart a desire to know the truth-in a word, to know himself-so that, by knowing and loving God, men and women may also come to the fullness of truth about themselves (cf. Ex 33:18; Ps 27:8-9; 63:2-3; Jn 14:8; 1 Jn 3:2).
1. In both East and West, we may trace a journey which has led humanity down the centuries to meet and engage truth more and more deeply. It is a journey which has unfolded-as it must-within the horizon of personal self-consciousness: the more human beings know reality and the world, the more they know themselves in their uniqueness, with the question of the meaning of things and of their very existence becoming ever more pressing. This is why all that is the object of our knowledge becomes a part of our life. The admonition Know yourself was carved on the temple portal at Delphi, as testimony to a basic truth to be adopted as a minimal norm by those who seek to set themselves apart from the rest of creation as “human beings”, that is as those who “know themselves”.
Moreover, a cursory glance at ancient history shows clearly how in different parts of the world, with their different cultures, there arise at the same time the fundamental questions which pervade human life: Who am I? Where have I come from and where am I going? Why is there evil? What is there after this life? These are the questions which we find in the sacred writings of Israel, as also in the Veda and the Avesta; we find them in the writings of Confucius and Lao-Tze, and in the preaching of Tirthankara and Buddha; they appear in the poetry of Homer and in the tragedies of Euripides and Sophocles, as they do in the philosophical writings of Plato and Aristotle. They are questions which have their common source in the quest for meaning which has always compelled the human heart. In fact, the answer given to these questions decides the direction which people seek to give to their lives.
2. The Church is no stranger to this journey of discovery, nor could she ever be. From the moment when, through the Paschal Mystery, she received the gift of the ultimate truth about human life, the Church has made her pilgrim way along the paths of the world to proclaim that Jesus Christ is “the way, and the truth, and the life” (Jn 14:6). It is her duty to serve humanity in different ways, but one way in particular imposes a responsibility of a quite special kind: the diakonia of the truth.(1) This mission on the one hand makes the believing community a partner in humanity’s shared struggle to arrive at truth; (2) and on the other hand it obliges the believing community to proclaim the certitudes arrived at, albeit with a sense that every truth attained is but a step towards that fullness of truth which will appear with the final Revelation of God: “For now we see in a mirror dimly, but then face to face. Now I know in part; then I shall understand fully” (1 Cor 13:12).
3. Men and women have at their disposal an array of resources for generating greater knowledge of truth so that their lives may be ever more human. Among these is philosophy, which is directly concerned with asking the question of life’s meaning and sketching an answer to it. Philosophy emerges, then, as one of noblest of human tasks. According to its Greek etymology, the term philosophy means “love of wisdom”. Born and nurtured when the human being first asked questions about the reason for things and their purpose, philosophy shows in different modes and forms that the desire for truth is part of human nature itself. It is an innate property of human reason to ask why things are as they are, even though the answers which gradually emerge are set within a horizon which reveals how the different human cultures are complementary.
Philosophy’s powerful influence on the formation and development of the cultures of the West should not obscure the influence it has also had upon the ways of understanding existence found in the East. Every people has its own native and seminal wisdom which, as a true cultural treasure, tends to find voice and develop in forms which are genuinely philosophical. One example of this is the basic form of philosophical knowledge which is evident to this day in the postulates which inspire national and international legal systems in regulating the life of society. Continue reading “John Paul II on Faith and Reason”
“”Lord,” said St. Thomas Aquinas, “set my life in order; making me to know what I ought to do and do it in the way that I should.” The civilized world seems now to have reached the point at which only this prayer can save it; and the answer is already given us in the Christian creed. We talk much of reconstruction; but no one has yet dared to take the Christian’s profound beliefs about Reality as the basis of a reconditioned world. We treat them as dwellers in the plain treat the mountains. We lift up our eyes to their solemn beauty with respect; but refuse to acknowledge that plain and mountain are part of the same world. Yet the Creed is no mere academic document, no mere list of “dogmas.” It is an account of that which is; and every word it contains has a meaning at once universal, practical, and spiritual within the particular experience of each soul. It irradiates and harmonizes every level of our life, not one alone. All great spiritual literature does this to some extent; but the Creed, the condensed hand-list of those deep truths from which spiritual literature is built up, does it supremely. Continue reading “Evelyn Underhill on the Creed”
“At the hour near morning when the swallow begins her plaintive songs, in remembrance, perhaps, of her ancient woes, and when our mind, more a pilgrim from the flesh and less held by thoughts, is in its visions almost prophetic, I seemed to see in a dream an eagle poised in the sky, with feathers of gold, with open wings, and prepared to swoop. And I seemed to be in the place where his own people were left behind by Ganymede when he was caught up to the supreme conclave; and I thought within myself,–perhaps it is used to strike here and disdains, perhaps, to carry off any in its claws from elsewhere. Then it seemed to me that, after wheeling a while, it descended, terrible as lightning, and caught me up as far as the fire; there it seemed that it and I burned together, and the imagined fire so scorched that perforce my sleep was broken.
Even as Achilles started up, turning his awakened eyes about him and not knowing where he was, when his mother carried him off sleeping in her arms from Chiron to Scyros, whence later the Greeks took him away, so I started, as soon as sleep left my eyes and turned pale, like one that is chilled with fear. Beside me was my comfort alone, and the sun was already more than two hours high, and my face was turned to the sea.
‘Have no fear,’ said my Lord ‘take confidence, for it is well with us, do not relax but put out all they strength. Now thou art come to Purgatory'” (Dante, Purgatory, Canto IX, trans. J D Sinclair).
“When the Eagle snatches him up to the fire, he is so scorched that the agony awakes him, and instead of the highest heaven, he finds himself outside the Gate of Purgatory, with the whole long journey and purifying discipline before him. Continue reading “Dante and the Eagle”